Pauline Kael (1919-2001) was likely the most powerful, and personal, movie critic of the 20th century. Writing for The New Yorker and publishing a dozen best-selling books, she ruthlessly pursued what made a movie or an actor’s performance work, or not, and why. Her passion made her both admired and despised amongst her readers and her subjects. Pauline’s own story is one of struggle and obsession: the fight to establish her voice and have it heard, and to raise a daughter on her own in a time when the obstacles were high. The latter golden age of movies of the 1960s and 1970s are the focus of this film that pursues the question of what made Pauline Kael’s work so individual, so controversial — and so damned good.